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The Eleanor D. Wilson Museum | Hollins University

 

Current Exhibitions

International Mezzotint Society Exchange Exhibition: Selected Work
June 23 - September 25, 2022

First introduced in 1642, mezzotint printing employs a copper plate and a tool (now known as a rocker) to create a close cluster of gouged dots or burrs. The painstaking, intricate technique allows for subtle gradations of tonal values - almost a halftone, and deep solid colors - especially a rich, velvety black. After a decline in popularity in the late nineteenth century as new printing technologies became available, artists rediscovered and embraced the mezzotint process in recent decades.

Through her involvement in six international mezzotint exchanges organized by the International Mezzotint Society, Fincastle-based artist and Hollins University professor emerita Nancy Dahlstrom has shared her artwork as well as obtained a collection of mezzotints from artists around the world. This exhibition includes selections from the exchanges in which Dahlstrom has participated.

mezzotint

Julie Niskanen Skolozynski, Reflections, 2020

 

Grace Lin: Moon Stories
July 1 - September 18, 2022

Grace Lin is a New York Times bestselling author and illustrator of children’s books. She has won the Newbery Honor, Caldecott Honor, and Theodor Geisel Honor as well as being a National Book Award finalist. As a small child and a voracious reader, Lin could not identify with any of the characters in the books she was reading. Her dream in life was to write and illustrate children’s books and in doing so she has also become an advocate for diversity. This exhibition will feature 36 of Lin's illustrations from the following books: A Big Mooncake for Little Star; Where the Mountain Meets the Moon; Starry River of the Sky; When the Sea Turned to Silver; Thanking the Moon: Celebrating the Mid-Autumn Moon Festival; and Round is a Mooncake: A Book of Shapes.

grace lin

Grace Lin, Where the Mountain Meets the Moon, 2009

 

Creating Space: Seven Contemporary Women Artists
July 14 - September 18, 2022

This exhibit examines the recent work of a cohort of women artists living in the Shenandoah Valley: they are united by location, a lifelong pursuit of seeking through art, and an artist/teacher/mentor to learn beside. Ron Boehmer, Lynchburg-based artist, teacher, and co-founder of the Beverley Street Studio School (Staunton, VA) is the catalyst who brings these disparate artists together.

Each of these artists have juggled life as professionals, daughters, sisters, wives, mothers, grandmothers, teachers, and caregivers. Despite their many roles and responsibilities, they always created space in their lives to make art. Lindsay Freedman, Janly Jaggard, June Jordan, Joan Ranzini, Krista Townsend, and Christine Watts still convene regularly for a critique session to discuss their latest work and get feedback. Deliece Blanchard studied independently with Boehmer and recently moved from the Shenandoah Valley to Winston-Salem, NC.

Best known for their paintings, a few of these artists also create collages, vitreous enamels, or ceramics. They all experiment in the liminal space between realism and abstraction. Many of them also teach art in the region. All participate in solo and group exhibits regionally and across the country; their work can be found in public, corporate, and private collections in the United States and abroad.

creating space

June Jordan, Where We Are in Time, 2021

 

Basics #50 by Matthias Neumann
May 30, 2021 - May 28, 2023
located on the creek side of West Campus Drive (near the pond)

Brooklyn-based Matthias Neumann was trained as an architect in Stuttgart, Germany. Since 2015, he has been using common 2’ x 4’ lumber in an additive configuration to explore physical notions of form, space, and utility. This sculpture is part of the Roanoke Arts Commission's sixth “Art in Roanoke” (AIR) temporary sculpture exhibit titled New Life: Reimagining Roanoke. Most of the sculptures will be on view in Elmwood Park, but the city is also placing sculptures in outlying neighborhoods – the Hollins campus being one of those. More of the artist’s Basic sculptures can be seen on his website.

This exhibit is sponsored by the City of Roanoke through the Roanoke Arts Commission.

matthias neumann at work

Matthias Neumann building Basics #50, 2021

 

Expanding Narratives:
Conversations with the Collection
currently available online

Faculty members from across academic divisions have collaborated with museum staff to select works from the collection that investigate key course concepts and provide extended access to the individual works of art. Participating departments include art history, biology, classics, English, gender and women studies, history, philosophy, psychology, sociology, and studio art.

and now her own

Tip Toland, And Now Her Own, 2019. Stoneware clay and mixed media. Eleanor D. Wilson Museum at Hollins University, 2020.001.

 

Unveiling the Past: Reckoning with Our History of Enslavement at Hollins
currently available online

In spring 2020, students in the Cultural Property, Rights and Museum course began working on an exhibit, Unveiling the Past: Reckoning with Our History of Enslavement at Hollins University, in conjunction with members of the Hollins University Working Group on Slavery and Its Contemporary Legacies. The exhibit examines objects and images held by the University Archives in the Wyndham Robertson Library at Hollins University. Material researched by students are on display in this virtual exhibit. Those working on this exhibit wanted to create a public space to reckon with our Hollins past and give a forum to those who were not given a voice, name, space, or attention in the past. It is the goal of this exhibit to show the lasting effects slavery has had, and continues to have, here; and, to recognize that Hollins continues to benefit from a history of enslavement.

clem in long coat

Clement “Clem” Read Bolden (b. ≈ 1846, d. February 19, 1929). Courtesy of the University Archives in the Wyndham Robertson Library at Hollins University.

 

Exploring Visual and Conceptual Space:
Student Selections from the Eleanor D. Wilson Museum
currently available online

Using selected works from the Eleanor D. Wilson Museum’s permanent collection, student curators put theory into practice in this virtual exhibit which is the culmination of the spring class, “Behind the Scenes: Principles and Practice.” As part of the class, students collaborate and share responsibility for conceptualizing, researching, designing, and interpreting a cohesive exhibition. Each student selected two works that spoke to them based on academic, personal, and aesthetic interests. The exhibit features works created by well-known artists Giovanni Battista Piranesi, John James Audubon, Käthe Kollwitz, Paul Klee, Salvador Dalí, and Andy Warhol, as well as works by Hedley Fitton, Jean Lurçat, Paule Gobillard, Eudora Welty, and others.

When placed together, these works form an image of the Eleanor D. Wilson collection as a small but artistically and historically rich collection – especially when seen through the eyes of Hollins student curators Madelyn Farrow, Faith Herrington, Sylvia Lane, Mairwen Minson, Kaiya Ortiz, Valerie Sargeant, and Maddie Zanie.

anne

Henry Varnum Poor, Anne, c. 1940s. Oil on panel, 8.5 x 7” (framed). Art department acquisition, 1946. Courtesy of the Eleanor D. Wilson Museum at Hollins University, 2005.283.

 

Hollins University
Eleanor D. Wilson Museum at Hollins University
Box 9679 : 8009 Fishburn Drive : Roanoke, VA 24020
(540) 362-6532 • wilsonmuseum@hollins.edu
HOURS
Tues-Sun: 12-5 pm
Thurs: 12-8 pm
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